Tag: Fiction

A Queer Look at Harper Lee’s ‘Go Set a Watchman’

The eighty-nine-year-old Lee has long been a lesbian literary icon, and her protagonist, Scout Finch, a.k.a. Jean Louise, has been—along with Carson McCullers’ Frankie Addams in The Member of the Wedding—a girl that every young American lesbian grew up reading

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‘The Brink’ by Austin Bunn

The Brink is a fast-paced, slim, engrossing collection that reminds its reader of one of life’s most essential truths: we’re always on the cusp of something new, and every passing moment, for better or worse, changes us

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‘Night at the Fiestas’ by Kirstin Valdez Quade

At its best, Kirstin Valdez Quade’s new collection of stories, Night at the Fiestas, sidesteps cliché but keeps the grandeur of her setting by transposing it to her characters—people big as myth, opaque as Scripture

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‘Two Augusts in a Row in a Row’ by Shelley Marlow

Two Augusts in a Row in a Row is a novel about gender, love, grief and magic.

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‘Sphinx’ by Anne Garréta

Sphinx, on the surface, is a standard story of love and loss. But that’s about all that’s standard here. You won’t get past the first page without asking questions, and by the time you turn the last one, you’ll be no closer to an answer

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‘Vera’s Will’ by Shelley Ettinger

“Don’t go. Let me show

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‘Muse’ by Jonathan Galassi

Jonathan Galassi does a superb job of offering a meticulously observed peek behind the curtain of the book publishing world, complete with an eclectic cast of outsized characters.

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‘Soul Selecta’ by Gill McKnight

Prepare to meet the unexpected in this plot that folds back on itself and brings with it more than one element of surprise.

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‘The Hope of Floating Has Carried Us This Far’ by Quintan Ana Wikswo

The stories here beg borders. They are amorphous and esoteric. Many of them feel like shortwave radio dispatches from another Universe where the edges that separate us are constantly blurring and shifting.

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On Plague and the Queer Art of Absurdist History: Larry Kramer’s ‘The American People’

As much as The American People purports to historical authenticity, Kramer’s tome is primarily a masterpiece of the queer art of legend making, a natural byproduct of our occluded historical visibility

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